Jogo do pau

Jogo do Pau Documentary Master Russo 1991

A 1991 TV documentary on Jogo do Pau and Master Russo's dedication to the art.

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Portuguese Stickfighting JOGO DO PAU

mixed by yours truly.

Documentário Jogo do Pau Português/ Esgrima Lusitana

Mestres Nuno Russo e Nuno Mota

Jogo do pau em Cabeceiras de Basto - 1975 - Mestre Portela

Cabeceiras de Basto em 1975 - O Povo e a Música - RTP

Jogo Pau Arte Marcial Portuguesa

o Jogo do Pau é a arte marcial portuguesa por excelência, em todo o seu esplendor, dinâmica e eficácia. Festival Sons e Ruralidades 2008

Jogo do Pau Português

Jogo da Cadeira. Mestres Nuno Russo e Nuno Mota

1918 Portuguese Stick Fighting Jogo do Pau Exhibition - England

Film Date: 15th August 1918
Location: Roffey Camp – Horsham – West Sussex - England
Exhibition of Portuguese Stick Fighting (Jogo do Pau) by Portuguese Soldiers training at Roffey Camp in England. This upload includes both normal speed and slow motion takes

Jogo do Pau Mestre Nuno Curvello Budo BA 750

Jogo do Pau origin: Fighting multiple opponents

A Jogo do Pau stick-fighting analysis within the scope of historical fencing (Historical european martial arts) - A brigde between past and present.

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Jogo do Pau Sparring

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Lusitan Fencing - Jogo do Pau

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Jogo do Pau - Um contra dois.

Demonstração de Luta de um contra dois.
Jogo do Pau. Staff fight, one against two opponents demonstration.

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Jogo do Pau Mestre Nuno Russo Revista Budo

Jogo do Pau Mestre Nuno Russo Revista Budo

JOGO DO PAU - PORTUGUESE MARTIAL ART - 1

PROF LUIS PRETO AND A SMALL GROUP OF STUDENTS (BEGINNERS) IN A SEMINAR IN PORTO, LAST OCTOBER.
THIS ART IS STRAIGHT TO THE POINT, FOCUS IS IN THE FAR DISTANCE AND MAXIMUM POWER OF BLOWS. SO THE BLOCKING IS USED THINKING ABOUT A HEAVY STICK AND A POWERFULL STRIKE.
THE ROOTS ARE VERY ANCIENT AND, ACCORDING TO HISTORYCAL RECORDS, INFLUENCED THE USE OF THE MEDIEVAL SWORD.
HERE WE ARE PRACTICING WITH A 80 CM STICK (BATTON), BUT THE ART USES 1,55 M STICK CALLED VARAPAU (2 HAND MANIPULATION)
YOU CAN SEE HERE:
BASIC ATACKS AND BLOCKS, FOOTWORK AND 1 VERSUS 2 STRATEGY.

Jogo do Pau Português

Contra jogo 2
Mestres: Nuno Russo, Luis Preto

Portuguese Combat Stick Jogo do Pau, bastão curto

Portuguese Stick Fighting

When known how to use it can defeat, someone with a knife and even more than one aggressor.
In this case we see training against one opponent. Always, play by the safe; develop good defences for an optimum counter attack. This type of strategy is the opposite for multiple attackers. In one to one combat you train for defence and then follow for counter attack, while for multiple opponents is a continuous attack strategy. Accurate notions on distance are of vital importance for this type of combat. Otherwise is non effective and useless. Also the kind of weapon is most important, or else the strikes wouldn't cause enough damage on the opponent, letting him unarm or closing the gap between you.
The best stick isn't necessary an iron pipe, but also plain rattan or other types of canes may not carry enough power to break bones. The best type of stick is larger at the tip,so it can carry a more momentum while not being excessive heavy for the wrist.
Effective technique is the one you don't need excessive uncontrolled power on a strike, but must be powerful enough to break your opponents bones, and at the same time keeping you balanced and in a perfect position for a defence or another immediate strike. Simply because in real combat, just making pain to an aggressor isn't enough for stopping him, and even if you have a lot of power in your strike but it misses, it's no good.

Jogo do Pau Português

Mestres Nuno Russo e Nuno Mota - Algarve

Jogo do Pau Português

Contra jogo
Mestres: Nuno Russo, Luis Preto

Jogo do pau entre Manuel Seabra e Jorge Fernandes.

Versos e Cacetes. O jogo do pau na cultura afro-fluminense, Rio de Janeiro, Brasil, LABHOI-UFF/Universidade de Essex-UK, 27 minutos, português, 2009 (direção Matthias Rohrig Assunção e Hebe Mattos).
O filme documenta o jogo do pau e sua inserção na cultura afro-fluminense do Vale do Paraíba. Seus protagonistas são os descendentes dos escravos que trabalhavam nos cafezais da região no século XIX. A primeira parte do filme recria o ambiente das festas de calango, onde dois ou mais cantadores acompanhados de sanfona, tambor e pandeiro, se desafiavam através de versos improvisados. No baile também vinham à tona tensões e rivalidades entre fazendas e povoados, que muitas vezes terminavam em briga. Nessa hora os homens se enfrentavam a golpes de cacete e rasteiras. Mas o cacete era também usado numa brincadeira amistosa, chamada jogo do pau, praticado aos domingos. O filme procura dar mais visibilidade a essa tradição de jogo de combate, que em muitos locais só permanece na lembrança de seus velhos praticantes. A memória do jogo do pau produz novas pistas para a história da capoeira.

Extra of filme VERSOS E CASETES (MATTHIAS RÖHRIG & HEBE MATTOS). The filme Versos e Casetes documents stick playing and its insertion into Afro-Brazilian culture in the Paraiba valley, Rio de Janeiro.). Its protagonists are the descendants of slave who worked on the coffee plantations during the nineteenth century.

Luta jogo do pau

jogo do pau demo fight

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